{"id":14888,"date":"2013-10-24T10:00:34","date_gmt":"2013-10-24T08:00:34","guid":{"rendered":"http:\/\/www.secretolivo.com\/?p=14888"},"modified":"2022-03-01T05:39:51","modified_gmt":"2022-03-01T04:39:51","slug":"carlos-cano-y-la-identidad-andaluza","status":"publish","type":"post","link":"https:\/\/secretolivo.com\/index.php\/2013\/10\/24\/carlos-cano-y-la-identidad-andaluza\/","title":{"rendered":"\u00abAndaluc\u00eda es un proyecto de vida en el que se puede ser feliz\u00bb"},"content":{"rendered":"

Carlos Cano y la cultura andaluza<\/h2>\n

\u00abQu\u00e9 le vamos a hacer, soy un ut\u00f3pico. Andaluc\u00eda es un proyecto de vida en el que se puede ser feliz. Yo creo mucho en ese proyecto. (…) \u00c9sa es mi postura ante la vida. Lo digo y lo mantengo al margen de los partidos pol\u00edticos, entre otras cosas porque soy un negado para la militancia\u00bb <\/em><\/p>\n

(Carlos Cano a Carmen Rigalt, enero 1986)<\/p>\n

Recuperamos un v\u00eddeo grabado en abril de 2000 por Nonio Parejo -director de La guerra olvidada<\/em><\/a> o Campos de N\u00edjar<\/em><\/a>– donde Carlos Cano reflexiona sobre Andaluc\u00eda y su universo; Carlos cuenta c\u00f3mo fue la primera grabaci\u00f3n del Himno de Andaluc\u00ed\u00ad\u00ada<\/a>\u00a0tras adaptar en la primavera de 1977 la \u00fanica partitura que se conservaba -escondida en un libro editado en catal\u00e1n- en la Casa de la Alegr\u00eda\u00a0<\/em>de Blas Infante y la raz\u00f3n del distanciamiento de Rojas-Marcos y Tierno Galv\u00e1n entonces en el PSP, que representaban Unidad Socialista.<\/p>\n

\u00abUna de las cosas que m\u00e1s me maravilla de la cultura andaluza que siendo propia no es una cultura que se encierra, sino que interpreta el universo<\/strong><\/em>\u00ab<\/p>\n

\u00abA mi me parece maravilloso los pueblos que mantienen su cultura popular viva, porque la cultura popular significa sentido del ritmo<\/strong>, o sea, el sentido de la medida y nosotros todav\u00ed\u00ada tenemos sentido de la medida.\u00bb<\/em><\/p>\n

\u00abAndaluc\u00ed\u00ad\u00ada es un universo<\/strong>, es un continente. Y ah\u00ed\u00ad respondo como Blas Infante; \u00e9l opinaba que Andaluc\u00eda era un continente que hab\u00eda entre Europa y \u00c1frica.\u00bb<\/em><\/p>\n

\n

El single donde se incluye la primera grabaci\u00f3n del himno nacional andaluz ten\u00eda en su cara B Por un poder andaluz, <\/em>un tanguillo que apareci\u00f3 posteriormente en El gallo de Mor\u00f3n, 1981<\/em> con nueva letra y t\u00edtulo; Andaluc\u00eda Superstar.<\/a><\/em><\/p>\n

Aqu\u00ed est\u00e1n los socialistas
\n<\/em>los que defienden su tierra
\ndel paro y la emigraci\u00f3n
\n<\/em><\/p>\n

Los de los olivos verdes <\/strong>
\ny el coraz\u00f3n por bandera<\/strong>
\nverde y blanca de la vega
\ndel pueblo trabajador<\/em><\/p>\n

Este ep\u00e9 fue editado por el Partido Socialista de Andaluc\u00eda (posteriormente Partido Andalucista) y producido por Ignacio Mart\u00ednez, que lleg\u00f3 a participar grabando coros junto a los m\u00fasicos Paco Luis Miranda y Fafi Molina, los habituales de Carlos aquella \u00e9poca, antes de grabar la versi\u00f3n definitiva con la Coral Polif\u00f3nica Heli\u00f3polis de Sevilla<\/em>.<\/p>\n

Se present\u00f3 \u00aboficialmente<\/em>\u00bb en Sevilla ante 20.000 personas, en el mitin de fin de campa\u00f1a de los andalucistas del PSA, dos d\u00edas antes de las elecciones generales del 15 de junio de 1977.<\/p>\n

Particip\u00f3 tambi\u00e9n Enrique Morente, qui\u00e9n por esos tiempos andaba Despegando<\/em> <\/a>con \u00abla fuerza y la esperanza revuelta con la alegr\u00eda<\/em>\u00ab…<\/p>\n

\"Portada

\"contraportada

\n","protected":false},"excerpt":{"rendered":"

Carlos Cano y la cultura andaluza \u00abQu\u00e9 le vamos a hacer, soy un ut\u00f3pico. Andaluc\u00eda es un proyecto de vida en el que se puede ser feliz. Yo creo mucho en ese proyecto. (…) \u00c9sa es mi postura ante la vida. Lo digo y lo mantengo al margen de los partidos pol\u00edticos, entre otras cosas […]<\/p>\n","protected":false},"author":13,"featured_media":36336,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":{"twitter_110259021_110259021":"","facebook_10161195029382589_105883812788025":""},"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[5766,259,15,10,22,970,3128,507,3835,2387,8828],"class_list":["post-14888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-raices-secretolivo","tag-andalucia","tag-andalucismo","tag-blas-infante","tag-carlos-cano","tag-enrique-morente","tag-himno-de-andalucia","tag-identidad-andaluza","tag-jose-luis-ortiz-nuevo","tag-junta-liberalista-de-andalucia","tag-psa","tag-secretolivo-cultura-andaluza-contemporanea"],"yoast_head":"\n"Andaluc\u00eda 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